Described by DJ Gilles Peterson as 'the best of what Britain has to offer in the cutting edge of music', composer/producer Leila has collaborated with Bjork, featured on Plaid 's Not For Threes debut, and remixed the likes of Acacia under the Gramatix alter-ego. Leila moved to England in 1979 during the Iranian revolution. She left a media studies course at Staffordshire University to play keyboards for Bjork.

On the title track of her debut release, the Don't Fall Asleep EP, an eerie treated voice was juxtaposed against corrupted funk. Her debut album was recorded in her bedroom and issued on Rephlex Records. Drawing on techno, funk, soul, electronica, hip-hop and classical, Like Weather was created in the same arbitrary way that most people buy and listen to music - ... that is, with little sense of genre boundaries. At one point, the album was actually rumoured to be a lost Prince recording.

A single, 'Feeling', suggested a dysfunctional All Saints. Other tracks drew on the grandeur of Andrea Parker, the shiftiness of Tricky, the sonic perversity of the Aphex Twin and the anal, painstaking attention to sound of hip-hop. 'All the tracks are quite intense, really,' admits Leila of her recordings, 'I take what I do seriously. I try to make moving music.' Luca Santucci, Donna Paul and Leila's sister Roya supplied vocals on the album.

As if to accentuate her sonic perversity, Leila issued (to friends and journalists) a cover of 'Heaven On Their Minds' from the musical Jesus Christ Superstar backed by a corrupted version of 'Won't You Be My Baby' - ... a track from Like Weather that had been mooted as a potential hit single. The track was not, however, given a full release because of potential copyright problems.

At the beginning of 1999, Leila relocated to XL Records. On 'Sodastream', her inaugural single for the label, she confirmed her reputation as 'part sonic terrorist, part harmonic evangelist' by disrupting a pop song with dysfunctional noise and distortion. Her debut album for the label, Courtesy Of Choice, was another highly eclectic collection that further established Leila as one of the most inventive artists on the contemporary music scene.